Studio Will Dutta is the creative everything of Will Dutta: a parade of artistic invention, playback and research.

We have a restless inventiveness for the how, why and way we make sound. We create imaginative situations for playback where place and its absence, before and now meet and our original thinking puts us at the frontier.

From the beginning in 2007, we have continually sought out inquisitive and inspiring creators and given them the space to make audacious new work. We have presented over 300 performances in the UK and internationally and the Studio publishes a growing range of records, books and research that stretches across media and time. We are anchored to East Kent.

Striking projects include Gabriel Prokofiev’s Concerto for Turntables and Orchestra — this now iconic work has been performed almost 100 times worldwide, including televised broadcasts at the BBC Proms, and two award-winning albums on Nonclassical and Signum Classics — and the concert production of the late-Nick Lloyd-Webber and James D. Reid’s musical, The Little Prince, narrated by the BAFTA and Golden Globe Award-winning actor Hugh Grant at the Abu Dhabi Festival.

Will Dutta standind next to blue back drop
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Man on microphone pointing at the crowd
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A group of singers holding hymn sheet
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DJ playing in front of a crowd
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Close up of DJ playing his decks
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  1. Will Dutta, bloom LIVE by Michael R Williams, 2017 © Michael R Williams
  2. Reeps One Venezuela Tour by British Council, 2013 © British Council
  3. Songs for a Better Future by Matei Bejenaru, 2010 © Matei Bejenaru
  4. Tim Exile, Village Underground by Howard Melnyczuk, 2013 © Howard Melnyczuk
  5. DJ Yoda and Heritage Orchestra by Dan Stevens, 2007 © Dan Stevens
  6. Blank Canvas, Village Underground by Howard Melnyczuk, 2013 © Howard Melnyczuk
  7. Late at Tate by PRS Foundation, 2015 © PRS Foundation
  8. London Winter Concert by WMP Creative, 2019 © WMP Creative
  9. The Little Prince by Studio Will Dutta, 2016 © Studio Will Dutta
  10. The Little Prince by Studio Will Dutta, 2016 © Studio Will Dutta
Musicians playing to a crowd
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Women playing the drums and flinging her hair around
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Close up of female singer on stage
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Lady in white dress singing on stage with an orchestra all around her
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Hugh Grant with a microphone
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bloom is a studio album project by Will Dutta. Launched in October 2017, the album heralded a new approach to the format: many-shaped, open-ended and evolving.

The beating heart of bloom is the record that features collaborations with electronic legends Plaid, Friendly Fires frontman Ed Macfarlane and composer Max de Wardener. Out of this comes a live show devised by the award-winning creative agency Treatment Studio, and described by audiences as ‘hypnotic’, ‘compelling’ and ‘engulfing’.

Explore the essential ideas, research and context as the work grows at bloomworks.art

Interact. Remix. And listen again.

Bloom download thumbnail

Download the digital booklet here

Visit www.bloomworks.art

bloom is supported by

Three of the most performed viola sonatas in the repertoire were created in the same year, 1919.

To celebrate the centennial, violist Anne Leilehua Lanzilotti initiated The 20/19 Project to support the creation of three new viola sonatas by composers Andrew Norman, Anna Thorvaldsdottir and Scott Wollschleger, as well as recordings of, publications about, and educational resources for the works.

We supported Anne in bringing these unique and compelling new pieces to our corner of East Kent for their first performance in the UK.

A series of supporting events rooted them in the moment: the UK premiere at Turner Contemporary was given context by a public programme offering everything from life drawing from an open rehearsal to a talk with a former Chief Investment Officer at Credit Suisse.

The resulting artistic creation includes a set of short films by composer Ana Quiroga and filmmaker Pedro Maia, and a concert presentation that features intimate playback and outstanding performance of viola music.

Our limited-edition book captures this sweeping production in full.

The 2019 Project download thumbnail

Download the digital booklet here

The 20/19 Project is supported by

The 20/19 Project Trailer (2019)

Every day we generate two and a half quintillion bytes of data, a number with 12 zeros on the end. Every day we take three billion photographs. Every day 500 million people use the story feature on Instagram. Are we witnessing a storytelling epidemic? Is this the new decadence?

Using an assemblage of objects and recollections, curator, writer and dance artist Roshanara Adams presents her origin story as the starting point for an immersive audio-visual experience that explores decadence in the context of the attention industry.

pleasure gardens is a work in development and by far our most ambitious production to date. This slowly unfolding project began with a small hand-finished print run of The Garden of Knowledge by Leopold Andrian, a decadent text first published in German in 1895, and translated into English for the first time by Francesca Bugliani Knox in 2022. The work has its foundations in this extraordinary short story.

Then in 2023, we presented Roshanarar bagan: an autobiographical exhibition of decadence at the Austrian Cultural Forum London. Over five weeks we tested ideas and gathered a huge amount of audience feedback along the way.

Next up in 2024 is the publication of a new edition of Twilight in Delhi — a seminal work by Pakistani novelist, diplomat and scholar, Ahmed Ali, written in 1940 and first published by The Hogarth Press. This will provide a second layer to our story.

The full multiroom installation lands in 2025... unless we get James Cameron about it.

pleasure gardens

Trailer

The Curating Composer is a workflow, teaching resource and research project, designed to help you learn something new and move you to do it.

For music creators and recreators, the pandemic and more recent cost-of-living crisis have necessitated a radical reappraisal of who gets to make culture and mediate cultural production. In just 25 years rapid technological change has shattered professional infrastructure and at the same time we are now facing up to the astonishing scale of digital culture. How do we support and develop the next generation of aesthetic leaders to cut through the noise?

In 2021, we published the first in a series of research papers exploring the curating composer as a new role with a distinct set of practices. Now in 2024, we launch the second paper, which builds on the learning to present the curating composer as scene maker. Featuring interviews with Provhat Rahman, founder of Daytimers and Dialled In festival, and Ryoko Akama, founder of ame, the two papers will form the basis of a new manual for the self-producing artist.

The Curating Composer research cover download thumbnail
The Curating Composer 2024 research cover download thumbnail

Download the research paper here

Download the second research paper here

In association with